Dan Clark Audio Aeon Noire Vs NoireX Comparison Review

In an era where audio technology continuously evolves, audiophiles seek headphones that not only deliver pristine sound quality but also offer comfort and innovative design. The latest entrants to Dan Clark Audio’s lineup, the Noire and NoireX closed-back planar headphones, promise to meet these expectations with an array of features and enhancements. In this review, we delve into the intricacies of both models, exploring their design, sound quality, and the subtle yet impactful differences that set them apart. With captivating visuals and advanced tuning technology, we’ll determine if the NoireX truly outshines its predecessor, the Noire.

What You Get

Look & Feel

Everything about the basic frame of the Noire and NoireX is unchanged, but the earcups have a slight design change that differentiates the two. The NoireX features a logo change that you can see on the earcup’s new reflective surface. It’s a sleek black-on-black surface, while the original Noire has a pattern similar hexagonal pattern similar to other AEON models. The headband is unchanged between both models, as well as the earpads even though the NoireX features special Alcantara pads. They feel the same to me when sitting on my head, which is not a bad thing since they both have a comfortable and isolating fit.

Design

Both headphones are closed-back with planar magnetic drivers but use very different technology. The original Noire uses a TrueFlow transducer, while the NoireX uses the more recently developed AMTS tuning system that Dan Clark has been using with all of their recent headphones like the Corina and E3. This way the NoireX has the benefit of being the most freshly released headphone, so it gets to implement newer technology like AMTS and be more cutting edge over the older model.

Soundstage

Switching from the Noire to the NoireX it becomes apparent that the latter is a huge upgrade in terms of soundstage and spatial imaging. It feels like the NoireX took all the criticisms I had about the original, implemented the driver tech from the E3, and in effect addressed them all. The NoireX is just so much more open and spacious than the original, which feels too centered and narrow. You get a much better width on the NoireX, with a similar level of depth that translates into more articulate layering and separation. Depth was never a big issue I had with the original Noire, but the NoireX brings out tons of blank, open space that can make the soundstage appear more cavernous. It makes each instrument and effect stand out with more exact positioning in the left and right channels.

Low End 

I thought the bass on the original Noire was very subdued but detailed and dynamic, and the NoireX is very similar. The NoireX strikes a better balance though, and it helps bring out a clearer tone that has a bit more energy to it. They both have a solid body to them, but the NoireX has a thump to it that some might find more enjoyable. The surface of the bass has more of a bounce to it, but both headphones feature a smooth rumble that I found equally satisfying.

Mids

Both the Noire and NoireX aren’t the more midrange-heavy sound signatures, but the NoireX felt a bit more balanced. They’re both recessed and have properties that send instruments a bit too much in the back, but it’s less of a concern on the NoireX due to its roomier presentation. It gives the frequencies more clarity even if they lack a bit of power. Transients are smoothed over in both headphones, but the NoireX has a more natural timbre that elicits a lush midrange even if it doesn’t support the necessary foundation.

Highs

The original Noire had a very enticing and sibilant treble, but the NoireX is designed to enhance high frequencies even further with its AMTS system. Both headphones have a sizzling brightness, but the NoireX has more control and extension in its details. High frequencies on the NoireX show more transparency and sparkle, combining realism with a touch of coloration. It has a cutting nature that is brought to an even level, tailing off instruments with a blissful snap. The original Noire is more sibilant in comparison, showing similar crispness, but less sharpness.

Summary

The NoireX stands as a significant upgrade over the original Noire, showcasing advancements in soundstage, clarity, and overall audio performance. With its innovative AMTS tuning system, enhanced low-end response, and beautifully crafted design, the NoireX appeals to both newcomers and seasoned audiophiles alike. While the original Noire laid a solid foundation, the NoireX elevates the listening experience to new heights, making it a worthy investment for anyone serious about high-fidelity sound. Ultimately, whether you lean towards the classic charm of the Noire or the cutting-edge refinement of the NoireX, both models offer exceptional audio experiences that are hard to match in today’s market.

The Dan Clark Audio Noire and NoireX are available at Audio46.