Audeze has long been a favorite among audiophiles and studio professionals for its uncompromising approach to planar magnetic headphones, and the new Audeze LCD-S20 continues that legacy in a fresh direction. The LCD-S20 is a closed-back model that takes inspiration from Audeze’s MM series studio headphones. But how do these headphones actually perform when it comes to soundstage, balance, and mixing accuracy? Let’s dive into the details to see if the LCD-S20 lives up to its studio-ready promise.
What You Get
- LCD-S20 headphone
- 2.5m (8.2ft) headphone cable
- 3.5mm to 6.3mm adaptor
Look & Feel
The Audeze LCD-S20 is a closed-back headphone that isn’t like other headphones they’ve made. Most of its design takes cues from Audeze’s MM series headphones, which are their studio line. The headband of the S20 and the ear cups are the same as the MM-100, just with a closed cup that features a unique fabric material. It’s a mechanical look that features the usual Audeze durability, with precision-machined magnesium, aluminum, and steel. They’re lighter and more comfortable than some of those headphones, though, with one thing really setting them back. The style of headband adjustment that Audeze has been using for these headphones is still not working for me. You only get a few options for head size, which can be limiting compared to most other headphones.
Design
The LCD-S20 is built around a 90 mm Ultra-Thin Uniforce diaphragm driven by a Fluxor magnet array and Fazor phase management. It incorporates Audeze’s patent-pending SLAM (Symmetric Linear Acoustic Modulator) acoustic system to improve bass clarity and dynamic punch while reducing pressure buildup.
Soundstage
Mixing headphones usually stick to a fairly standard stereo field, and that’s exactly what the LCD-S20 does. While the imaging is spatially articulate and precise, the overall display of it is linear. Sounds sit on a flat plain that, while wide and encompassing, shows little dimension and openness. You get a little bit of height off the top end, but everything is neutrally presented otherwise. Its closed-back principle doesn’t warrant a ton of openness, but the S20 does a good enough job with separation that layers of sound can be communicated and localized well. This can make it a reliable tool for assessing where things are, even if the sound doesn’t feel immersive. I would liken it to being in a very small control room, like you’re listening to a mix in your bedroom.
Low End
If you’re looking for a pair of bass-oriented mixing headphones, the LCD-S20 might disappoint you. While there were some instances of sub-bass presence, the S20 just lacks weight. What you do get, though, is a concise, uncompromised neutrality that might favor certain genres over others. For instance, the tone from the bass was clear enough to showcase orchestral bass strings well without any added texture. It shows good definition and shape in the mid-bass, and with some EQ, you’re even able to get some thumpiness out of electronic music. Everything still sits with a neutral timbre, but it opens a lot of space for adjustment.
Mids
This is where the LCD-S20’s sound signature is most prominent. Instruments are snappy and precise, with a natural tone that is flat and balanced. However, there are some heightened elements to the midrange that stick out. Vocals seem to protrude forward and sit above the instruments, resulting in a more pointed, crisp response. Artifacts like acoustic buzzing still sound clear as day, allowing for sleekness and transparency across the spectrum.
Highs
The highs are a lot like the bass with a bit more energy to them. There’s more detail here to bite on, as the treble is capable of presenting a solid amount of air. It makes the tone slightly shimmery, but it comes under tight control. This makes the highs show an impressive amount of grace in the mix, while not being totally shy about showing some rawness. It’s not quite Beyerdynamic level, but it makes the highs altogether more dynamic and clear.
Summary
The Audeze LCD-S20 is a unique addition to Audeze’s lineup, offering a closed-back alternative that balances durability, comfort, and professional-grade audio performance. While its bass response is more restrained than bass enthusiasts may prefer, the LCD-S20 shines in the mids and highs, delivering clarity, precision, and transparency that make it a reliable tool for mixing and critical listening. Its soundstage is linear rather than expansive, but its accuracy and separation give it a practical edge in studio environments. If you’re looking for a closed-back headphone that delivers true-to-source monitoring with Audeze’s signature craftsmanship, the LCD-S20 is an excellent choice for producers, engineers, and detail-focused listeners.
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The Audeze LCD-S20 is available at Audio46.
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